Commercial video produced end to end — aerial and ground capture, audio, and post — delivered as finished content rather than raw files. Produced for businesses across Fort Lauderdale, Miami, and West Palm Beach and throughout South Florida.
Aerial footage opens a piece and establishes scale, but a commercial video built only from drone shots reads as a drone reel rather than a story about a business. Ground capture is what carries it.
Production combines aerial work with DJI Pocket 3 cameras for motion, detail, and handheld sequences, a Canon 7D for controlled interior and product work, and a DJI Mic 2 where interviews, narration, or on-camera audio are part of the piece. Power and connectivity are handled on site, so a shoot is not dependent on what the location can provide.
Post-production runs in Adobe Creative Cloud, with CapCut used for short-form and vertical cutdowns where that workflow is faster.
Project reveals are a natural fit for a company that has been documenting a site throughout construction. Capture accumulated over months of progress documentation becomes the raw material for a completion film that shows the arc of the build rather than only the finished result.
Brand and capability content covers what a business does and how it does it — facility tours, process documentation, team and leadership pieces, and recruiting content. For operations with physical scale, aerial context communicates something a conference room interview cannot.
Event and campaign coverage produces both a long-form record and the short cutdowns a marketing calendar actually consumes.
A single landscape master file is where a lot of commercial video stops, and it is why so much of it never gets used. Content is delivered in the formats each destination needs: landscape for site and presentation use, vertical for Reels, Shorts, and TikTok, and square where a feed calls for it.
Social packages are built as a set — multiple short pieces from one production — so a shoot supplies a content calendar rather than a single post.
Sellers LP produces the content. Media buying, campaign management, and channel strategy are handled by whoever owns marketing on your side.
Ideal for: Marketing teams, general contractors and developers, commercial brands, agencies, and businesses with physical operations to show.
Any business whose work happens somewhere physical has something worth showing that a stock library cannot supply.
No. Aerial establishes scale and opens a piece, but ground capture carries most commercial video. Production combines aerial with handheld and controlled ground cameras, plus dedicated audio where interviews or narration are involved.
Full production through post. Editing runs in Adobe Creative Cloud, with short-form and vertical cutdowns produced in whichever workflow is fastest for the format. Delivery is finished content, not raw files.
Yes, and it is built as part of the package rather than cropped from a landscape master. Social packages deliver multiple short pieces from one production so a single shoot supplies a content calendar.
Yes, and it is one of the better uses of recurring progress documentation. Capture accumulated across months of construction becomes the raw material for a reveal that shows the arc of the build rather than only the finished building.
No. Sellers LP produces the content. Campaign strategy, media buying, and channel management stay with whoever owns marketing on your side.